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Two paintings by Manet, likely the inspiration for an episode narrated by Proust, serve as the starting point for an examination of the presence of asparagus in literature and painting alike.
The five large-scale paintings made by Benedetta Cappa Marinetti for Palermo's Palazzo delle Poste represent a merging of Futurist formal dynamism and Mediterranean chromatic lyricism.
We're presenting two Medieval decks of playing cards with a hunting motif in their entirety, a highly refined portrayal and record of court life at the time.
After abdicating the throne, Queen Christina of Sweden moved to Rome, where she devoted herself fully to her great vocation as patron of the arts and collector.
Venice's Palazzo Loredan is hosting an exhibit on Sanya Kantarovsky: the interplay between the architecture of the building and the artworks offers an opportunity to reflect upon the meaning of time.
from fmr no. 18
In honour of the exhibit on Niagara Falls held at the National Gallery of Art in Washington, we're revisiting the presence of this natural wonder in culture and the arts.
By Antony Shugaar
Explore the main categories
Women in Art History
Encounters of Cultures
Art and Nature
Glass, Stones, and Crystals
The Gaze of Orhan Pamuk
on FMR No. 17
Discover the highly refined works of the great interpreter of French and American Art Deco, the Russian Romain de Tirtoff, known as Erté.
By Valerio Terraroli
No.18Summer Solstice 2026
No.17Vernal Equinox 2026
No.16Winter Solstice 2025
No.15Autumn Equinox 2025
No.14 Summer Solstice 2025
Mr. PA, contemplating Goya’s portrait of Manuel Osorio at the Metropolitan Museum, meditates on the nature of art and his own life.
The author, a landscape gardener and botanical investigator of great artworks, shows us recondite vegetal details of renowned masterpieces.
Glassblowing and photography bring within our eyeshot the marvels that Nature has concealed in the depths.
The collection of jewelry by René Lalique assembled by his friend and patron Calouste Gulbenkian.
The formative years of Paolo Caliari, better known as Paolo Veronese, as told in the words of the curator of the major exhibition at the Prado (2025).
Art Deco brought radical changes to New York, in every manifestation of architecture and design.
