No.15,
Autumn Equinox 2025

The doorknockers of the Cesati collection, on show at the Masone Labyrinth, are the occasion for anthropological reflections.

Often the hidden face of a painting, its back or its verso, tells more secrets than the face on display.

On the occasion of an exhibition at the Scuderie del Quirinale in Rome, a captivating journey through the treasures of the Pharaohs.

The deeper and less obvious meanings of the series “Primitive Humanity,” painted by Piero di Cosimo in the Florence of the Medici.

A bust in polychrome marble at Santa Maria Maggiore (Rome) depicts the Congolese ambassador to the Holy See from the turn of the 1600s, António Manuel Ne Vunda.

The splendor of the Padiglione delle Feste at the Grand Hotel of the Thermal Spa of Castrocaro, decorated by Tito Chini.

The massive monument called The Chronicle of Georgia, by Zurab Tsereteli dominates the city of Tbilisi.

The painter, architect, and set designer Andrei Beloborodov dreamed of a silent world of ancient ruins flooded by vast waters.