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The summer Issue is a collection of stories sharing the poetic nuance of the discovery of little things: sultans abandoning their palaces, queens abdicating in favour of the arts, painters of tender vegetables, playing cards, fleeting visions.
Summer Solstice 2026
The Palace of Italian Institutions in Tangier, built by a sultan who never lived there, is a veritable kaleidoscope of detailed decorations.
Two works by Andrew Wyeth spark a poetic reflection on the sense of sight and on the sentimental and philosophical aspects of painting.
A new auction record for a drawing by Rembrandt has been established with the portrait of a lion, sold in recent months by Sotheby's New York.
Venice's Palazzo Loredan is hosting an exhibit on Sanya Kantarovsky: the interplay between the architecture of the building and the artworks offers an opportunity to reflect upon the meaning of time.
In honour of the exhibit on Niagara Falls held at the National Gallery of Art in Washington, we're revisiting the presence of this natural wonder in culture and the arts.
After abdicating the throne, Queen Christina of Sweden moved to Rome, where she devoted herself fully to her great vocation as patron of the arts and collector.
We're presenting two Medieval decks of playing cards with a hunting motif in their entirety, a highly refined portrayal and record of court life at the time.
The five large-scale paintings made by Benedetta Cappa Marinetti for Palermo's Palazzo delle Poste represent a merging of Futurist formal dynamism and Mediterranean chromatic lyricism.
Two paintings by Manet, likely the inspiration for an episode narrated by Proust, serve as the starting point for an examination of the presence of asparagus in literature and painting alike.
