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The painter, architect, and set designer Andrei Beloborodov dreamed of a silent world of ancient ruins flooded by vast waters.
The massive monument called The Chronicle of Georgia, by Zurab Tsereteli dominates the city of Tbilisi.
The splendor of the Padiglione delle Feste at the Grand Hotel of the Thermal Spa of Castrocaro, decorated by Tito Chini.
A bust in polychrome marble at Santa Maria Maggiore (Rome) depicts the Congolese ambassador to the Holy See from the turn of the 1600s, António Manuel Ne Vunda.
The deeper and less obvious meanings of the series “Primitive Humanity,” painted by Piero di Cosimo in the Florence of the Medici.
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An educated eye can eventually glaze over, wearied by all the art and beautiful things it has seen. This is what Héctor A. Faciolince glimpsed in Cornelis Van der Geest, a merchant, patron and collector from Antwerp.
By Héctor Abad Faciolince
Explore the main categories
News from the Art Market
Encounters of Cultures
Art and Nature
Glass, Stones, and Crystals
The Gaze of Orhan Pamuk
on FMR No. 15
By Giovanni Mariotti, Giorgio Antei
No.15Autumn Equinox 2025
No.14 Summer Solstice 2025
No.13Vernal Equinox 2025
No.12Winter Solstice 2024
No.11Autumn Equinox 2024
Lucian Freud’s plant portraits, only recently brought into the spotlight and associated with the renown of his celebrated portraits of people.
The world of Canadian painter Alexander Colville reconstructed through a selection of his paintings.
The Biblia pauperum of the Sacred Mountain of Varallo as described by Vittorio Sgarbi, in part through the inspired words of Giovanni Testori.
Andrew Graham-Dixon pens a perceptive portrait of George Stubbs, the horse portraitist of eighteenth-century England.
The joyful Parisian years of Tsuguharu Foujita as recalled by his most renowned model and evoked in a witty and refined article.
Hyperrealistic cacti, painted in oils and garish hues on gigantic canvases by the South Korean artist Lee Kwang-Ho.
