The Summer Solstice issue of FMR begins with an account of Paolo Veronese’s youth, the years of any artist’s life in which everything is still possible; the issue ends with an account of Trajan’s old age, the years of life in which not even an Emperor can have all they desire. Between those two stories, we find recollections of a journey through the decadence of Mexican Baroque and the magnificent art collections of Cardinal Richelieu; and the humblest and most precious thing there is: bread, which in Sardinia takes on astonishing traditional forms.
2025 / Two Editions; 128 Pages
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The Summer Solstice issue of FMR begins with an account of Paolo Veronese’s youth, the years of any artist’s life in which everything is still possible; the issue ends with an account of Trajan’s old age, the years of life in which not even an Emperor can have all they desire. Between those two stories, we find recollections of a journey through the decadence of Mexican Baroque and the magnificent art collections of Cardinal Richelieu; and the humblest and most precious thing there is: bread, which in Sardinia takes on astonishing traditional forms.
