FMR begins its fourth year in its familiar style, pursuing the most exquisite details: in the pages of Issue 13 we discover the stars and crystals dreamed of by Wenzel Hablik – as a preview of the new Dédale collection issuing this June – the botanical content of a painting by Vittore Carpaccio, the previously unknown origins of Fernando Botero’s style, a bygone form of enetertainment, the “cyclorama”; serving as bookends, the first and last article, two sumptuously decorated halls, by two very different artists: the luxuriant Sert and the highly refined Barberi.
2025 / Two Editions; 128 Pages
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FMR begins its fourth year in its familiar style, pursuing the most exquisite details: in the pages of Issue 13 we discover the stars and crystals dreamed of by Wenzel Hablik – as a preview of the new Dédale collection issuing this June – the botanical content of a painting by Vittore Carpaccio, the previously unknown origins of Fernando Botero’s style, a bygone form of enetertainment, the “cyclorama”; serving as bookends, the first and last article, two sumptuously decorated halls, by two very different artists: the luxuriant Sert and the highly refined Barberi.
