FMR observes the publication of the first round decade of issues in its New Series with an idiosyncratic, wide-ranging, and eclectic issue. The contents range from the painter Foujita’s Paris years, work veined with subtle nuances, to the brightly colored decorations designed by Géza Maróti for Mexico City’s Palacio de Bellas Artes; from Salerno’s contemplative medieval ivories to the wind-loud Marmore waterfalls of Central Italy, culminating in a poetically commonsense appreciation of vividly enameled coin banks. The front of the book features portraits of Salome, auctions, the art of nostalgia, the synthetic materials of autarky, and the color indigo.
2024 / Two Editions; 128 Pages
Couldn't load pickup availability
FMR observes the publication of the first round decade of issues in its New Series with an idiosyncratic, wide-ranging, and eclectic issue. The contents range from the painter Foujita’s Paris years, work veined with subtle nuances, to the brightly colored decorations designed by Géza Maróti for Mexico City’s Palacio de Bellas Artes; from Salerno’s contemplative medieval ivories to the wind-loud Marmore waterfalls of Central Italy, culminating in a poetically commonsense appreciation of vividly enameled coin banks. The front of the book features portraits of Salome, auctions, the art of nostalgia, the synthetic materials of autarky, and the color indigo.
