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Stunningly refined portraits of botanists done by Gaetano Gandolfi for Bologna’s “Pinacotheca Bassiana”.
Magnificent painted folding screens tell the tale of sixteenth-century encounters between the cultures of Portugal, Japan, and Mexico.
Five Palermitan altar frontals of marble inlay, now housed in two different churches, are ideally reunited in these pages.
An overview of the Oratorio di San Lorenzo in Palermo, with a special focus on Serpotta’s stuccowork.
Glassblowing and photography bring within our eyeshot the marvels that Nature has concealed in the depths.
Benedetta Craveri offers an elegant narrative of a love affair in pre-Revolutionary, spun out in various works of art.
A learned and witty article describes the many self-portraits painted by Sofonisba Anguissola, often with self-promotional intent.
Some of the musician-painters of the Renaissance are the perfect example of the close ties between the arts in this historical period.
The procession of the Queen of Sheba as illustrated by Josep Maria Sert in a hall of the Wendel family’s Hôtel Particulier, now at the Musée Carnavalet.
The peaceful but mysterious interiors painted by the Danish artist Vilhelm Hammershøi are explored in terms of their history, artistry, and poetry.
The Etruscan studio in the royal Savoy palace of Racconigi, a noteworthy instance of a pseudo-antiquarian capriccio.
The entirely European phenomenon of the Grand Tour, illustrated with a collection of sulfur-based cameos known as “zolfi.”
Poet Rosita Copioli’s flash of inspiration about the basrelief of Mercury in Rimini’s Malatesta Temple.
The voracious and well-informed career as an art collector of Cardinal Richelieu, Chief Minister of State under Louis XIII of France.
The dining room of Palazzo Altieri in Oriolo Romano, decorated by Giuseppe Barberi.
Mr. PA, contemplating Goya’s portrait of Manuel Osorio at the Metropolitan Museum, meditates on the nature of art and his own life.
The world of Canadian painter Alexander Colville reconstructed through a selection of his paintings.
Roger Caillois’s collection of stones and Giovanni Pratesi’s collection of Arno river rocks and pebbles.
Winckelmann’s Roman life in a “spoken portrait” that brings to light both personal and secret aspects.
The frescoes of the Palace of Sassuolo, the delicious retreat of the Dukes of Este, are a symphony of trompe-l’œil.
Anselm Kiefer’s site-specific exhibition at Palazzo Reale Milano explores and celebrates prophetic female figures from the past.
